Saturday, November 1, 2025
Escher String Quartet with Luke Fleming
7:30 PM at the Sunset Center | Carmel-by-the-Sea, CA

Program
With a pre-concert talk at 6:30 PM.
Wolfgang Amadeus Mozart String Quartet in E-flat Major, K 428 (1783)
Chris Rogerson String Quintet (2025) - Co-Commissioned by Chamber Music Monterey Bay for the 2025-2026 season, West Coast Premiere.
Johannes Brahms String Quintet No. 2 in G Major, op. 111 (1890)
“Exceptional, unified sound and intonation... great musicality” – New York
Classical Review.
Luke Fleming
“Luminous... meticulous and warmly mellow” – Boston Music Intelligencer
Members
Adam Barnett-Hart, violin
Brendan Speltz, violin
Pierre Lapointe, viola
Brook Speltz, cello
Luke Fleming, viola
About The Ensemble
The Escher Quartet has made a distinctive impression throughout Europe, with recent debuts including the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Slovenian Philharmonic Hall, Les Grands Interprètes Geneva, Tel Aviv Museum of Art, and Auditorium du Louvre. The group has appeared at festivals such as the Heidelberg Spring Festival, Budapest’s Franz Liszt Academy, Dublin’s Great Music in Irish Houses, the Risør Chamber Music Festival in Norway, the Hong Kong International Chamber Music Festival, and the Perth International Arts Festival in Australia. Alongside its growing European profile, the Escher Quartet continues to flourish in its home country, performing at the Aspen Music Festival, Bravo! Vail, Santa Fe Chamber Music Festival, Bowdoin Music Festival, Toronto Summer Music, Chamber Music San Francisco, Music@Menlo, and the Ravinia and Caramoor festivals.
Luke Fleming
In 2015, Mr. Fleming became the Founding Artistic Director of both the Manhattan Chamber Players and the Crescent City Chamber Music Festival, and in 2024, he was named Artistic Program Director of Chamber Music Monterey Bay. He currently serves on the Viola and Chamber Music faculties of the University of New Orleans, Atlantic Music Festival, Festival del Lago, and The Woodlands Chamberfest. Mr. Fleming performs on a tenor viola by Gasparo da Salò, ca. 1560, on generous loan to him from Steven Tenenbom.
Adam Barnett-Hart has attracted worldwide attention for his sensitive musicianship and inspired artistry. As the founding first violinist of the Escher String Quartet, he has performed in many of the most prestigious venues and festivals around the world including Alice Tully Hall and Carnegie Hall in New York, the Kennedy Center, the Ravinia and Caramoor Festivals, the Wigmore Hall, the Louvre, and the Concertgebouw. As a soloist, Barnett-Hart made his debut performing the Brahms Concerto in Alice Tully Hall with the Juilliard Symphony in 2002. He studied with Pinchas Zukerman and Joel Smirnoff.
Violist Pierre Lapointe earned a D.M.A. degree from the Manhattan School of Music in 2012 after writing a thesis about the unusual structure of Alexander Zemlinsky’s second string quartet. Almost simultaneously, Lapointe finished a two-year recording project of the complete cycle of quartets written by Zemlinsky for the Naxos label. Lapointe received a prize in 2004 from the lieutenant governor of Quebec for his work at the Gatineau Music Conservatory. In March 2002, Lapointe performed one of his own compositions for the radio show “Jeunes Artistes” of Radio-Canada in Montreal to great acclaim. Lapointe was also awarded a gold medal in 2000 by the University of Ottawa for his undergraduate studies in composition and violin performance. Born in Hull, Canada, Lapointe started violin lessons at age 5 with Yaela Hertz Berkson and studied violin with Calvin Sieb and composition with Steven Gellman at the University of Ottawa before devoting himself entirely to the viola. As an educator, Lapointe is often invited by universities and music schools to coach chamber music groups and give master classes to viola students. He has taught at Stony Brook University, Manhattan School of Music Precollege and is presently an adjunct associate professor at SMU Meadows School of the Arts.
NYC-based violinist Brendan Speltz, second violinist of the world renowned Escher String Quartet, has toured the globe with groundbreaking ensembles such as Shuffle Concert, the Manhattan Chamber Players, A Far Cry, and the Harlem Quartet. As founder of FeltInFour Productions, Mr. Speltz has produced innovative concert events across the New York City area that have been described by The New Yorker as “Thrilling, poignant, unexpected, and utterly DIY.” Most recently, Mr. Speltz co-created a cross-disciplinary presentation of Steve Reich’s Different Trains with aerial dance troupe ABCirque which was sponsored by Meyer Sound Labs.
In NYC he has performed as guest with the New York New Music Ensemble, Mark Morris Dance Group, American Ballet Theatre, the American Symphony, the Orchestra of St. Luke’s, and as a founding member of the conductorless string orchestra Shattered Glass. He received his bachelor’s degree from the University of Southern California and his Master’s degree from the Manhattan School of Music. Mr. Speltz plays a 1925 Carl Becker violin.
Brook Speltz performed as a soloist, chamber musician, and recitalist throughout the US, Canada, Latin America, Europe, and Asia. First Prize winner of the prestigious Ima Hogg Competition, he has performed with the Houston Symphony, Colorado Music Festival Orchestra, and International Contemporary Ensemble, and is a regular performer at England’s IMS Prussia Cove and on tour with Musicians from Marlboro. Chamber music tours with Itzhak Perlman and Richard Goode caused him to be nominated for the inaugural Warner Music Prize, a newly established prize presented by Warner Music and Carnegie Hall. He has also toured with the cello rock band Break of Reality, whose cover of music from Game of Thrones has received over 19 million views online. The band’s recent US tour raised funds and awareness for music programs in public schools all around the country. After studying with Eleanor Schoenfeld, Mr. Speltz attended the Curtis Institute of Music with Peter Wiley and The Juilliard School with Joel Krosnick. He performs on an 1857 J.B. Vuillaume on loan from his father, a cellist and his first inspiration in a family of professional musicians.