Saturday, November 7, 2026
Maxwell Concert
7:30 PM at the Sunset Center | Carmel-by-the-Sea, CA

Program
Saturday, November 7th, 2026 - 7:30 PM at Sunset Center
With a pre-concert talk at 6:30 PM.
Selections from Folk Music of Scotland
arr. Maxwell Quartet
Philip Glass (b. 1937)
String Quartet No. 2 “Company” (1983)
Ludwig van Beethoven (1770 – 1827)
String Quartet No. 9 in C major, Op. 59 no. 3 “Razumovsky” (1808)
Intermission
Antonín Dvořák (1841 – 1904)
String Quartet No. 13 in G major, Op. 106 (1895)
"Brilliantly fresh, unexpected and exhilarating... an enlightening and enthralling musical experience.”
The Guardian
Members
Colin Scobie, violin
George Smith, violin
Elliott Perks, viola
Duncan Strachan, cello
About The Ensemble
The Quartet is formed of four close friends, who grew up playing folk and classical music together in youth orchestras and music schools across Scotland. The group officially began in 2010 at the Royal Conservatoire of Scotland, where its founding members met as postgraduate students. In 2011, the Maxwell Quartet was named as Residency Artists for Enterprise Music Scotland 2011- 2013, which saw several acclaimed concert tours over their two-year tenure. Performing widely across Scotland, the quartet established a reputation for delighting audiences with their "unaffected enthusiasm" (North Highland Times) and their "panache and conviction" (Strathearn Herald). The quartet has since held residencies at Oxford University, Perth Concert Hall, and many chamber music festivals across the UK, including their own festival Loch Shiel in the west highlands of Scotland, and a new self-curated concert series at Guardswell Farm in Perthshire. The quartet currently holds the position of Associate Artist at the Royal Conservatoire of Scotland in Glasgow, and at Music at Paxton Festival in the Scottish Borders. Passionate about collaborating with musicians and other art forms, the quartet has worked with a global roster of artists and institutions, including theatre company Cryptic, installation artists Wintour’s Leap, the Royal Ballet School, soul duo Lunir, folk duo Chris Stout & Catriona MacKay, cinematographer Herman Kolgen, and many more. In addition to a busy concert diary, the quartet regularly features in broadcasts for BBC Radio 3 and BBC Radio Scotland and regularly gives schools workshops and concerts for children.
The Maxwells’ debut tour of the USA in January 2019 garnered critical acclaim from the New York Times (“eloquent performers who bring the same sense of charisma and sense of adventure to their programming”) and saw the group performing to sold-out venues in New York, Florida, California, and Washington. In 2020, the quartet undertook a 35-date tour of the United States. The quartet’s collaborators have included the Danish String Quartet, Calidore Quartet, pianist Imogen Cooper, clarinetist Kari Krikku, baritone Roderick Williams, and folk duo Chris Stout & Catriona McKay. The Quartet's debut CD on Linn Records, released in March 2019 and featuring string quartets by Haydn alongside the quartet’s own compositions based on Scottish traditional folk music, received unanimously glowing reviews from international press, and reached number 3 in the classical specialist charts. In 2021, the follow-up album Haydn String Quartets Op 74 / Folk Music from Scotland received widespread critical acclaim. It reached number 6 in the classical specialist chart and was selected as one of Apple Music’s “10 Best Albums of the Month (Classical)”.
Born in Edinburgh in 1991, Colin Scobie is already established as one of the most creative and compelling violinists and chamber musicians of his generation. He has performed as concerto soloist to critical acclaim across Europe and further afield, with orchestras including Camerata Nordica, the Orchestra of the Age of Enlightenment, Arcangelo, La Serenissima and Scottish Ensemble. He has broadcast for BBC Radio 3 and Radio Scotland numerous times and collaborated with many eminent musicians including Boris Brovtsyn, Imogen Cooper, Marcia Crayford, Martino Tirimo, Moray Welsh and Colin Carr. In 2010 Colin was appointed 2nd violin of the Fitzwilliam Quartet with whom he performed extensively for 2 years, touring Europe, Africa and America. His desire to explore the possibilities of the quartet repertoire and to lead a young and dynamic quartet led to him joining the Maxwell Quartet as first violin in 2013. Colin began playing the violin at the age of eight, studying at St Mary’s Music School, Edinburgh, before going on to the Royal College of Music in London, studying with Dona Lee Croft and Lucy Russell. He has given masterclasses at Oxford and Cambridge Universities.When not travelling round the world with his violin, Colin enjoys travelling round the world with his bike and traipsing round Scotland with his son.
Hailing from Aberlemno in Angus, George Smith began learning to play the violin at the age of ten, and from a young age was a prizewinner in the renowned Glenfiddich Fiddle Championship. He studied at the Royal Conservatoire of Scotland with William Chandler and Ruth Crouch. Whilst there, he played in masterclasses with Midori, Christian Tetzlaff,Ilya Gringolts, Andrew Manze and Barnabas Keleman. He has performed across the UK and further afield as a chamber musician, soloist and Scots fiddle player. Notable performances include performing James MacMillan's ‘From Ayrshire’ for Solo Violin and Orchestra under the baton of the composer, and most recently performing in the Cuillin Mountains on the Isle of Skye. George founded the Maxwell Quartet in 2010 along with Duncan, and co-writes many of the Maxwell Quartet’s own compositions.
George works with many other groups in Scotland including the Scottish Ensemble, BBCSSO and Grit Orchestra.He regularly works with non-classical musicians, collaborating with composers including Anna Meredith and Samoyed. Along with this he teaches at various institutions across Scotland and is regularly invited to give workshops and masterclasses on Scottish music. George performs on a David Tecchler violin which dates from c.1720.
Elliott Perks studied at the Yehudi Menuhin School, where he studied with Suzie Meszaros, Rosemary Warren-Green and Lioutsia Ibragimova. He was a foundation scholar at the Royal College of Music in London where he studied with Andriy Viytovych. Elliott has taken part in numerous concerts as a soloist and chamber musician, performing in most London venues, including The Wigmore Hall, The Royal festival Hall, The Royal Albert hall, The Queen Elizabeth Hall, The Purcell Room, Sadlers Wells, Bradford Cathedral, Snape Maltings, Dorking Halls, The Cadogan Hall and numerous concerts in the Menuhin Hall. Recent engagements include playing Viola Viola by George Benjamin in the Purcell room and Mozart’s Sinfonia Concertante with Violinist, Oliver Cave and the Audeat Camerata in Hampstead. He has performed as guest principal with orchestras including Manchester Camerata, and Scottish Chamber Orchestra.
Born in Dundee in 1987, Duncan Strachan grew up in Lochaber, in the west highlands of Scotland, where he began learning cello with Audrey Scott at the age of 4. Duncan then went to St Mary's Music School in Edinburgh, learning with Pat Hair. He subsequently read music at St Catherine's College, Oxford where he was a Leask Music Scholar and an Academic Scholar. He studied cello with Colin Carr, before continuing his studies at the Royal Conservatoire of Scotland with Robert Irvine.
As a chamber musician Duncan has worked with a wide range of ensembles prominent figures including Fidelio Trio, Red Note, Florin Trio, Lana Trotovsek, Ilya Gringolts, David Watkin and Benjamin Grosvenor. He has also worked with composers including Tom David Wilson, Simon Smith, Anna Meredith, Stuart MacRae, Rory Boyle, Michael Finnissy and many more to perform new works for cello. Duncan is also the Artistic Director of Loch Shiel Festival and a professor of cello at St Mary’s Music School.
Duncan is also active as a composer and has received written music for numerous ensembles including GAIA, Maxwell Quartet, cellist Robert Irvine and Lochaber Music School. He co-writes and arranges the Maxwell Quartet’s own compositions.
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